Decoding Design

Eye Like a Bastard Pig

September 14, 2009 · Leave a Comment

So, my dad had these sayings.  When presented with mind numbing cold, he’d say,  “Wow, it’ s colder than a brass toilet seat in the Yukon!”  When looking at an overgrown lawn he’d say, “That grass is knee high to a tall elephant!” When I was learning to drive and being, shall we say a bit “conservative”, he’d get frustrated, exhale deeply, look at me and say “God don’t love a coward son, kick it in the ass!”  He is a man of few, albeit colorful, words.

However, my favorite by far was used in reference to measurements.  He had a small carpentry shop in our basement and used it to create simple “2×4″ furniture, home repair projects, and even build toys once in a while.  When something would line up exactly, or assemble something exactly perpendicular, or cut something to exactly 12″ without using any kind of measuring device, he’d look at his work, let out a soft whistle, and proclaim almost in awe under his breath,  “I’ve got an eye like a bastard pig.”

To this day, I have no idea what a bastard pig has to do with “eyeballing” exact measurements.  What I do understand is the value of understanding measurements immediately and being able to “see” them.

As an exhibit designer, I design spaces, but more importantly I design spaces that people have to walk through.  How big is counter height?  How tall is the pad of a seat?  Why do those stairs feel weird when I walk down them (common is about 7″ rise x 11″ run).   How far can the average person reach?  How much space does someone need to feel comfortable in a space?  What if that person is in a wheelchair?  How deep is an average table?  How tall is a “story” in a building?  These are all questions that, as an exhibit designer, you have to know the answer to immediately.  When talking to a client you need to be able to estimate how high the ceiling is so you’ll know if the dinosaur will fit.  You need to be able to visualize how much space a small conference room with chairs occupies (don’t forget that those chairs have to be pulled out).  The practicality of exhibit design is based on the knowledge of real world measurements.  If there is a bag of tools for the exhibit designer, this is, absolutely, the all important, tape measure.

Here are two links that can give you a good start.

http://www.fas.harvard.edu/~loebinfo/loebinfo/Proportions/furniture.html

http://mreed.umtri.umich.edu/mreed/downloads.html

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Technically untechnical

August 26, 2009 · 1 Comment

So.  You want to fix your phone.  You can’t cause it’s too small.   You’re DVD player just broke, but frankly, you don’t know how to fix the components, are worried about breaking it more, and realize that a new one is probably cheaper in the long run.  Our ability to understand the inner workings of our technology hasn’t kept up with our technology’s feature laden, circuit dependent, wireless needing, complicated, and ever decreasing component size.  We don’t care about how things work, just as long as they work.  If not, how fast we can replace it with something that does?

This needs to change.  Through the products we buy, we can begin to reverse this trend.  Instead of buying the cheapest – non fixable product out there, buy something with screws that can be taken apart.  Take an electronics for beginners class.  Learn to weld.  Build a tree house.  Start making things with your hands again.  You’ll fell great about it, I promise.  There is a confidence that springs from creation.  You did THAT!  You’re riding a bike that YOU BUILT!  You’re eating vegetables that YOU GREW!  Now, I’m not arguing for us all to join a militia and drop off the proverbial “grid”, but making things, truly making something from nothing is a powerful drug.

After you start, you won’t want to stop.  Then, who knows, maybe eventually you’ll tackle a cell phone or pounce on a DVD Player.  Check out this link:

http://www.engadget.com/2009/08/25/diy-cameraphone-macro-lens-requires-one-old-dvd-player-zero-tec/

These are some guys that are approaching technology with a sledge hammer and an eye on Frankenstein.  It’s brilliant, and of course, “ITS ALIVE!!!!!”

Or how about this article:

http://www.nytimes.com/2009/05/29/books/29book.html

A prophet of the shop class soul.

Both links will get you started.  Then, once you’re going, who knows where you’ll stop.

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The future of horsepower

July 23, 2009 · Leave a Comment

The Motorhead Messiah

The Motorhead Messiah

Johnathan Goodwin's magic engine

Johnathan Goodwin's magic engine

So.  You’ve been watching the price of gas climb again.  You’re wondering why more fuel efficient cars aren’t on the road as you see the numbers climb on the digital readout.  Perhaps you’ve even seen the movie “Who Killed the Electric Car” and achieved a certain sense of outrage.  But, everyone knows that if you go fuel efficient, you’re locked into a small, light, narrow tire, low horsepower hatchback.  Right?  WRONG.  Johnathan Goodwin is a brilliant mechanic.  He’s that guy everyone knew growing up that always had dirt under his fingernails because he had to replace his transmission so he could drive to school.  Now, he’s taken the logical next step into the ECO world.  He can take a standard Hummer, cut the emmissions in half, get you 60 miles to the gallon, oh, and smoke the tires with 600 horsepower.  Then, for a price, he’ll offer to do it for you.  The link below will take you to a Fast Company artical, written by Clive Thompson that will get you started on your new love affair with the future of horsepower.

http://www.fastcompany.com/magazine/120/motorhead-messiah.html

The Motorhead Messiah

The Motorhead Messiah

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Thinking Nano Goo from a test tube..

July 14, 2009 · Leave a Comment

So, if you’ve ever woken up at night with nightmares of becoming obsolete at the hands of robots,  you should rest easy.  We’re not there….yet.  However, movies like the Terminator, Matrix, AI, Bladerunner and their cousins certainly paint an interesting and slightly worrisome future.  Though the technology isn’t there yet, and human brains are still superior, we’re getting closer and closer to understanding the building blocks of energy, circuits, behavior, and organisms on the nano scale.  Attached is a story from newscientist.com that talks about just such an advancement.  It’s a bit “tech” heavy, but worth the read.  The work being done is amazing in it’s potential to affect everything that contains even a basic circuit.


http://www.newscientist.com/article/mg20327151.600-memristor-minds-the-future-of-artificial-intelligence.html?full=true

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The Art of the Sell…

July 9, 2009 · Leave a Comment

The Godfather was a wise, wise man.

Recently, I was contacted by a senior design student looking to start a career. Classes were ending and it was time to buckle down and get serious. We set up a meeting to discuss local exhibit design options. As we chatted (for three hours) I began to divine that this student had thought extensively about why he had made the choice to become a designer which was helpful. It’s rough, as an employer, to look at a potential hire and realize that they’re searching for direction much more than searching to make your company shine. However, once we past the “theory” of design employment, we moved onto the “experience” section of our discussion. That’s when things fell horribly flat.

I found that this student had decided to pursue exhibit design in the last two months of his 4 year education. I asked if he had portfolio pieces. He said no. I asked if he had any professional experience in exhibit design. He said no. I asked if he had taken an Exhibit Design course and he said he had dropped it in favor of another class. Now, not to sound harsh, but I suddenly started to ask myself, “why am I even here, this is wasted time” Yet, because of his enthusiasm, we continued talking. So then, a bit dumfounded, I asked the million dollar question, “What are you looking for?” and he responded by saying, “A paid internship.”

I don’t think this student realized what was happening. He didn’t realize that he was selling something and I was buying it. The job interview process is really just that simple. He was making a losing pitch and I was thinking of a wrap up. Yet, I asked one further question, “being that you have no experience, or a practical skill set in the industry, or knowledge of that industry, have you considered volunteering at an institution?” I’ll bet you can divine his answer, “I feel that it’s only fair to get paid for the work you do and I won’t sacrifice that.”

This student had, what I’ve taken to call, “student ego”. I’ve run across it more often than not where a student is fresh out of school and thinking the working world is just like the scholastic world. Nothing could be farther from the truth and as a professional, when I even hear the hint of “student ego” I start looking to another candidate. I have many friends in the design world, and we’ve all remarked about similar interviews and attitudes. I politely mentioned that he should think very hard about how important money is for him and if he truly wants to break into this field (exhibit design), in this area, to think STRONGLY about offering his services for free while maintaining a job to pay the bills. I suggested that he contact a few firms and offer to do anything so as to learn their approach to design. I suggested that he wait tables as a server at night to offset his rent. We ended the conversation with him offering to “think about it”.

So where does The Godfather come in? When trying to get something we want, in the case above –a job- we need to pitch “an offer they can’t refuse”. A case in point: I had another intern a while back. At the time I was working in a small museum and as with most small non profits, was up to my ears in responsibilities. I could have sincerely used some help. She contacted me and said that she was interested in learning what it was like to do museum exhibit design. We chatted, got along well, and I mentioned that I ‘d be happy to have her come on board, but I couldn’t pay her. She didn’t blink, and agreed. It was a wonderful thing! I was getting the help I needed and she valuable experience. Also, because she was willing to offer her services freely, I “went to bat” with the executive director to get her a living stipend. In the end, she solved problems for me, rather than creating more and I tried very hard to make it a great experience.

Make people an offer the can’t refuse. Do some research on who you’re meeting with before you meet them and try to understand their troubles. Then, when the opportunity is right, bring them solutions instead of problems. Let go of your ego and look objectively at the goal you’re trying to reach. If you’re getting great experience and access to connections, isn’t that furthering your career more than a paycheck? If you show commitment to a client or employer and offer a good service, they are likely to show commitment to you.

Below are two links: the first is a good example of how to sell and the second is a link to volunteer opportunities.

http://www.businessknowhow.com/marketing/createoffer.htm

http://www.volunteermatch.org/

Pete St. John

President

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www.petestjohndesign.com

Please note that the drawings, ideas, concepts and interactives contained herein are deemed proprietary. Any use of these concepts, ideas, interactives, etc, without written notification and permission is neither granted nor implied.

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Some good thoughts…

July 8, 2009 · Leave a Comment

So, in our daily lives as designers, we sometimes say things we wish we hadn’t. Here is a quick post to help you think of those “take back” items ahead of time.

http://www.artbistro.com/news/articles/9202-15-things-a-designer-should-never-say?page=1

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Design inspiration

May 14, 2009 · Leave a Comment

Hello all.

So, tired of working and seeing all the same old stuff in your life?  Wondering where to actually see some new ideas and thought?  Well, seach no further, here’s a good place to start…
http://dzineblog.com/2009/05/50-best-sites-to-get-design-inspiration.html

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The Pepsi redesign

March 16, 2009 · Leave a Comment

Hello all fellow design enthusiasts.  The Pepsi redesign. I’ve browsed some of the comments online.  It seems as if everyone has a negative opinion of the campaign.  Yet, isn’t that also a sign of a successful campaign?  Design, and art is supposed to illicit emotion at it’s very core.  We chose images, colors, and layouts, in the commercial world for their ability to clearly display brand information, yes.  For example, being able to tell Skim milk from Whole. However, when that goal has been achieved, what is our choice to be based on?  The answer:  emotional response to the design, even a negative one.

Though I have concerns with Pepsi’s redesign of the “information logistics” for each bottle, can, or package.  I love the new aesthetic.  When i first saw the basic can of Pepsi – the normal soda, the flagship if you will, I loved it.  I bought one just to bring back to my wife and show.  I’ve told my friends about it.  For me, it jumped out of the cooler it was in and commanded me to look at it.  For that reason I call it a fantastic design.  I love the new simplified layout in a time when I look at shelves and am bombarded with stars, trinkets, jazzy sparkles, lights, motion sensors, fringe, and even the occasional smell.  I like the offset text.  I like how I’m unsure of what it aligns to.  I like the metallic blue.  I like the can.

Yet, there are some oddities in this design.  The logo changes depending on which can you have.  I’m a big fan of one logo for all products. Typically, in this situation I’d skewer Pepsi for using different logos, but honestly, at the end of they day, I just don’t mind that much.  I wouldn’t do it in my designs, but I don’t really care that they did it in theirs.  It’s a subtle change. It looks interesting when you line them all up.  Honestly, I don’t think anyone but other designers will notice.  Perhaps my largest reservation is that I really don’t like the plastic lines in the new bottles.  They’re ugly and don’t do anything to further the aesthetic of the bottle.  How about adding some “grip ridges” or shape the bottle so it fits into a smaller car cup holder?  The rest of the design is so clean, seemingly stressing geometric simplicity, what role do the plastic swoosh ridges play (other than to illicit penis jokes on the internet)?

So, final summation:

I like the new cans, pretty much like the new Tropicana branding (though they are flirting dangerously with product confusion), and don’t like the plastic bottles.

However, I warn Pepsi that this is probably as radical a change as their brand can get.  The history of the company and it’s connection to consumers prevent them from straying too far from what is “easily recognizable” as a Pepsi product.  But, in this instance, I think it’s a pretty interesting thing to look at and clearly a sign of a new branding trend.

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Hello world!

February 4, 2009 · Leave a Comment

Welcome to the blog of Pete St. John Design.  This is a spot for the design rantings of the hyper creative team here at Pete St. John Design.  Did I mention our name, Pete St. John Design?  On these pages we’ll talk about all the aspects of our job that we like, process we use, problems we’ve hit, successes we’ve encountered, and more!  If you agree.. .then please feel free to comment.  If you don’t then please, feel free to keep surfing for anything else to fill your meaningless life.

Onward!

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